Lukaz Drakon
Souls. I Eets Them.
VihVs_ disse:E jah tah passando varios spots na TV (principalmente TV paga) e tem um cartaz gigante do Neo lah no UCI.... lindo.....
Eu ja vi todos os posteres q eles tem a cabeça cortada.
Caro Visitante, por que não gastar alguns segundos e criar uma Conta no Fórum Valinor? Desta forma, além de não ver este aviso novamente, poderá participar de nossa comunidade, inserir suas opiniões e sugestões, fazendo parte deste que é um maiores Fóruns de Discussão do Brasil! Aproveite e cadastre-se já!
VihVs_ disse:E jah tah passando varios spots na TV (principalmente TV paga) e tem um cartaz gigante do Neo lah no UCI.... lindo.....
NeoDeSampa _=F*U*S*A*=_ disse:Lukaz, quando falou que a pesso amorta voltaria como uma recriação robótica...pensei no Morpheus...até o estilo dele fica legal meio robozão.....
será que ficará algo do tipo AI?
Lukaz Drakon disse:Falando sério. Eu acho muito improvavel de quem morrer voltar como maquina por que eles querem matar todos os "acordados", e não deixa-los ou rescucitar um deles. Por isso, quem morrer deve continuar.
Eu até suspeito que no 3 vai morrer todo mundo.
Um AneL disse:será que as máquinas nao utilizariam a fama de Morpheus junto aos humanos da resistencia, para poder utilizar deste para se infiltrar na resistencia humana ???
Olórin of Lórien disse:Nossa, a Carrie-Anne Moss tá grávida e eu nem sabia...
egenildo disse:Esse é o problema de ser autor de sucesso instantâneo. Hollywood tornou-se um culto do Zion e, atualmente, os Wachowski são uma espécie de Neo: Salvadores do filme de ação intelectual. Todo mundo espera o máximo: Nas bilheteiras, se for menos que um sucesso, será um desastre; em realização artística, se for menos que uma obra de arte, será uma porcaria. Silver já está tentando controlar as expectativas: Em uma exibição para a Time, na semana passada, ele disse, "Lembrem-se, é apenas meio filme" (mas o espectador terá que pagar preço integral).
O público já está exigente. Em uma apresentação para exibidores, a luta no pátio e a grande caçada de carro elevaram a temperatura da sala, mas não roubaram os suspiros e aplausos espontâneos que marcam um sucesso. A reação foi menos "Uau!" e mais "Hein?" Alguns consideraram a segunda metade um ótimo filme de ação, com uma introdução lenta. Outros compararam o filme desfavoravelmente com X-Men 2. É uma injustiça para um filme tão ambicioso e exigente como este.
"Reloaded" é uma novela de seis meses: As cenas mais lentas do início do filme poderão ser justificadas em "Revolutions". Mas quem disse que é fácil ser herói? Talvez seja mais duro ser dois irmãos que apenas querem fazer bons filmes.
FONTE: BBC
Prepare to have your hopes dashed. I went to an advanced screening of The Matrix: Reloaded last night and the epic that I was hoping to see unfold never...unfolded.
In fact, it was really a movie about details and not of the interesting or thought provoking variety. Every line and every scene pushed for something grand and profound and almost always fell flat.
First off, the action. I never thought action scenes could be so boring. Gone are the bullet time shots where we see a flesh and blood actor rotating in mid-air or defying the laws of physics. Instead, we have new "life-like" CG replacements of the actors (or their bodies) as they fly around the screen looking like...well, looking like "life-like" CG replacements.
You can spot them a mile away and you're left thinking, "Wow, that would have been cool if the actor had done it." But no, a computer game character is kicking Mr. Smith's ass instead, not Neo but CG-Neo. Whereas the story is loaded with minute details the action scenes are not. Almost every shot is a wide shot where we see the entire cast fighting. There are very few close-up details like in the first one. No slow-motion bullets cutting through water or...through Morpheus' leg, instead we have scenes after scenes that look nearly identical. "Oh, now Neo's fighting Mr. Smith. Okay, now Neo's fighting the Oracle's bodyguard...okay, now...now...(and we drift to sleep)." And all done with the strange Matrix stilted fighting style of block, punch, block, punch...jump. Maybe they didn't want to have to set up all those little cameras again but there is nothing dynamic about these fight scenes and certainly no sense of danger. Not to mention that all the characters seem to have the same fighting skills as Neo (besides the flying, of course. But is flying really a fighting skill?)
I could go on and on about the action but there is a more important point. What needed to happen with this film was a creative jump in the writing. The first film is good, a fun little flick that covered some new ground. I definitely enjoyed it. But Reloaded needed to expand the story and really show us how big and dangerous the Matrix world can be.
It seems that the Wachowski's had hoped their dialogue would accomplish this. But, sadly, they suffer from the Lucas curse of making every word that comes out of every mouth something epic. It's the ultimate case of using a two dollar word when a ten cent one will do (or however that goes). The film is packed with an embarrassing level of bombast. It's as if Larry and Andy consulted a thesaurus for every other word, as if they masked meaningless dialogue in pretty words, dressed it up like a cheap tart. I actually started to tune out in one scene with Morpheus while he discussed the intricacies of the prophecy, which I might add they never felt necessary to share with us. It was more like, "you know what has been foretold, Trinity..."
At one point towards the end (SPOILER to follow) Neo meets the Architect, the most boring man/program ever created. We're lectured to for about five minutes by this tiresome character, who could easily have been reading from the phonebook. Now, I think I have a decent command of the English language but I found the scene laughably pedantic (see that?). Although, to be pedantic you have to actually have knowledge and this character certainly did not. It was like the later X-files episodes where everything negates everything else and you no longer have faith in the storytellers.
I'll hold my final judgment until I see Revolutions but I suspect the Wachowski's didn't really have the clearest idea where they were going with this. Sure, I think they knew they wanted to make two more films, a new "classic" trilogy (and who wouldn't?), but they've lost their way at this point. Overall, it's really a boring film with little direction that's trying too hard to impress its audience. It played out like a made for TV sequel, right down to the (SPOILER) "to be concluded"
Ristow disse:um review de uma moça detonando o filme, tirado do site Aint It Cool:
Prepare to have your hopes dashed. I went to an advanced screening of The Matrix: Reloaded last night and the epic that I was hoping to see unfold never...unfolded.
In fact, it was really a movie about details and not of the interesting or thought provoking variety. Every line and every scene pushed for something grand and profound and almost always fell flat.
First off, the action. I never thought action scenes could be so boring. Gone are the bullet time shots where we see a flesh and blood actor rotating in mid-air or defying the laws of physics. Instead, we have new "life-like" CG replacements of the actors (or their bodies) as they fly around the screen looking like...well, looking like "life-like" CG replacements.
You can spot them a mile away and you're left thinking, "Wow, that would have been cool if the actor had done it." But no, a computer game character is kicking Mr. Smith's ass instead, not Neo but CG-Neo. Whereas the story is loaded with minute details the action scenes are not. Almost every shot is a wide shot where we see the entire cast fighting. There are very few close-up details like in the first one. No slow-motion bullets cutting through water or...through Morpheus' leg, instead we have scenes after scenes that look nearly identical. "Oh, now Neo's fighting Mr. Smith. Okay, now Neo's fighting the Oracle's bodyguard...okay, now...now...(and we drift to sleep)." And all done with the strange Matrix stilted fighting style of block, punch, block, punch...jump. Maybe they didn't want to have to set up all those little cameras again but there is nothing dynamic about these fight scenes and certainly no sense of danger. Not to mention that all the characters seem to have the same fighting skills as Neo (besides the flying, of course. But is flying really a fighting skill?)
I could go on and on about the action but there is a more important point. What needed to happen with this film was a creative jump in the writing. The first film is good, a fun little flick that covered some new ground. I definitely enjoyed it. But Reloaded needed to expand the story and really show us how big and dangerous the Matrix world can be.
It seems that the Wachowski's had hoped their dialogue would accomplish this. But, sadly, they suffer from the Lucas curse of making every word that comes out of every mouth something epic. It's the ultimate case of using a two dollar word when a ten cent one will do (or however that goes). The film is packed with an embarrassing level of bombast. It's as if Larry and Andy consulted a thesaurus for every other word, as if they masked meaningless dialogue in pretty words, dressed it up like a cheap tart. I actually started to tune out in one scene with Morpheus while he discussed the intricacies of the prophecy, which I might add they never felt necessary to share with us. It was more like, "you know what has been foretold, Trinity..."
At one point towards the end (SPOILER to follow) Neo meets the Architect, the most boring man/program ever created. We're lectured to for about five minutes by this tiresome character, who could easily have been reading from the phonebook. Now, I think I have a decent command of the English language but I found the scene laughably pedantic (see that?). Although, to be pedantic you have to actually have knowledge and this character certainly did not. It was like the later X-files episodes where everything negates everything else and you no longer have faith in the storytellers.
I'll hold my final judgment until I see Revolutions but I suspect the Wachowski's didn't really have the clearest idea where they were going with this. Sure, I think they knew they wanted to make two more films, a new "classic" trilogy (and who wouldn't?), but they've lost their way at this point. Overall, it's really a boring film with little direction that's trying too hard to impress its audience. It played out like a made for TV sequel, right down to the (SPOILER) "to be concluded"
É... Algumas coisas que ela falou realmente fazem sentido e serviram pra diminuir minhas expectativas (o que é uma boa coisa)... Tenham medo.